by Christian Scully
Recently, I had the wonderful opportunity to not only photograph the interiors, but to sit down with Linda DiCarlo at her West Side Providence yoga studio to learn about Iyengar yoga, why she dedicated her life to the practice, and how exploring the method could impact a person's physical and mental state. I knew nothing of Iyengar previously, and very little about what drives a yogi. Linda's positive, centered attitude and balanced outlook not only provided great content for the multimedia piece we were producing for her marketing, but also motivated me to give her class a try! My Experience: As somebody who is often caught in the daily grind of work, walking the tight rope of balancing a hectic career and making time to care for a body injured by decades of contact sports, I eagerly and openly sought a way to bring my body and mind into alignment. A few weeks into the beginner classes at the Iyengar Yoga Source, I am learning the foundation, with great attention from the instructors. But more importantly, I am witnessing what is possible, if I continue. I'm not quite sure how best to describe it yet, the more advanced students describe it in the video below. It's a workout for your body: you sweat from engaging your muscles and stretching. Its a workout for your mind: you sweat from intensely focusing. But then something almost magical happens. You suddenly realize that you are so focused on what each part of your body is doing that everything else plaguing your mind has disappeared from reality. I have already seen and felt how this can reduce stress; I highly recommend you give it try and perhaps you'll find the same. Visit www.iyengaryogasource.com for more information. Multimedia Video made for the Iyengar Yoga Source Website
Keywords: iyengar yoga studio, westminster street, providence ri, rhode island yoga studio, professional interior photography, rhode island photographer, christian scully, linda dicarlo, west side providence, rope wall, yoga introduction
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by Christian Scully There is a very basic law of photography that should be professed from the get-go: what appears in reality is not what appears in the camera, and vice versa. It has been said that the camera is the greatest liar of all (quote a photography history course, somewhere, sometime). While you could delve for days into the philosophical meaning of this statement, I'm just referring to the very literal ability of the camera to lie, or perhaps only slightly bend the truth, or light. The fact is that our eyes and brain are very perceptive to our surroundings, able to recognize depth, size and proportion as we move about a room. But place a glass lens in at a single perspective and reality can start to morph. Pieces of furniture can change size, five feet of space could become one, a tiny room can even appear large. It comes down to how the photographer's lens choice translates the interior onto an image. The real job of an interior photographer, after gaining technical camera skills and understanding light, is to become a mover, a stager, a set builder. I'm not the first in saying my job is ten percent photography and ninety percent moving furniture, and though exaggerated, the notion is correct. Once determining the best angle to capture an interior, to highlight whatever the designer chooses, I then need to adjust everything in the frame according to the camera, not the eye. Often, when working with a new client, I see the looks of worry and panic on their face as I move a piece of furniture or prop. They are viewing the space from perhaps several feet above and to the side of the camera, viewing the reality, not the story that the camera is about to tell. After assurance and an explanation, I will take the image and reveal the results, followed by sighs of relief and couple laughs. They get it. Representing interior design is definitely something that takes a lot of practice, trial and error, attention to even the most minute details, and still consistently presents new technical challenges. Most people can walk into a room and either take it for granted or acknowledge it, saying "nice room" and move on with their lives. Not a design photographer. It doesn't matter what space I am in, interior or exterior, small or large, historic or modern, I autonomously scan my surroundings to find the best image. Like most photographers, I see the world in cropped frames. I frame my vision with lines, textures, color, shape, depth and pattern, always looking for that one hero shot. It is this thought process, this visually addicted personality, that brings value to the title of professional photographer. Keyword: design imaging studios, christian scully, professional interior photography, how a photographer sees, why hire a professional interior photographer, reasons to hire a professional photographer, boston interior photographer, contemporary interior design boston, studio c interiors, design photography
by Christian Scully We are half-way through 2014, half-way through this amazing Summer season, and half-way through year one of Design Imaging Studios! The time is flying by between marketing, shooting, editing, editing, editing, editing... and networking, and it is very exciting to see the progress we are making. As a photographer, there is no better feeling than seeing images that you created put to use, whether online or in print. And already in the six months since I announced the launch of Design Imaging Studios our images have been used on business and editorial websites and local, regional and national publications online and in print. As a small business owner, I welcome any opportunity to be published, whether it's small or large. Any chance to spread my name, my work and my company is a chance to attract a new client or business acquaintance. This publishing potential is not only important for myself, but an added benefit for anyone that invests in professional photography. A perfect example of this can be seen in the latest issue of Cape Cod Home Magazine, a magazine covering home and design stories and professionals in Cape Cod and the Islands of Martha's Vineyard and Nantucket. Back in the Spring, we were hired to photograph the interiors of The Captain David Kelley House in Centerville, MA. By creating those images, we were creating potential content. I wrote a story about the B & B and the lovely owners, and Cape Cod Home published a 10 page spread in the new Summer 2014 issue. This took effort and time and some good fortune to make happen, but without the investment from the owners, I would have had nothing to submit. Between newsstand sales, app downloads, mailed subscriptions, and shared readership it is estimated that just under 100,000 people turn the pages of Cape Cod Home. Talk about great targeted publicity for a local business! I am immensely happy to have been able to make this happen for Rick and Tom at the B & B, they deserve it. And I owe a great deal of gratitude to Cape Cod Home for publishing the story. Keywords: design imaging studios, cape cod home magazine, captain david kelley house, cdk, boston interior photographer, cape cod interior photography, boston architectural photographer, christian scully, editorial photography, published in magazine, cape cod and the islands, b&b photography, bed and breakfast, hospitality photographer near Boston, new england interior photographer, south coast photographer, travel photographer near Boston, new england travel photography, professional interior photographer boston
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